American Airlines Arena
Hosts Pro Sound and Concert Systems USA for DJ
Show
04/06/05
11:51am pst
MIAMI, FL—Sound designer Terry McNeil of Pro
Sound - Miami drew on every inch of his
extensive experience with NEXO sound systems
to come up with the goods for DJs Sasha and
Digweed, playing the 20,000-capacity American
Airlines Arena.
Sourcing gear from Concert Systems USA,
(Gulfport and Tampa), McNeil used loudspeaker
cabinets from three different NEXO ranges to
achieve his objective of 360-degree dispersion
from an end-stage configuration. "At the peak
of the night, I metered the system at 117dB
A-weighted. The clarity was amazing."
McNeil, who specializes in large-scale systems
for dance music events, chose a relatively
unusual combination of NEXO tangent array
boxes. The main stereo cluster was formed by
24 GEO T full-range cabinets: two arrays of 10
T4805 with two T2815 downfill boxes. For side
fill arrays, 24 GEO S compact cabinets were
used in two arrays of 12, and 12 of NEXO's
Alpha enclosures were used for the backfill
and VIP area. For subs, McNeil specified four
CD18s each side, with six Alpha S2s
ground-stacked in the middle. The system was
powered by 29 CAMCO Vortex 6 amps, and that
was just the main P.A.. For the DJ rig
monitors, three further CAMCO amps powered
more NEXO cabinets, an Alpha E and PS15
combination.
According to McNeil, "the GEO T gave us a lot
of horsepower in the mains. We combined CD18s
under the left and right arrays, with S2s down
front, and the combination was awesome. The
GEO S was great for outfills at stage-left and
stage-right. I walked the upper bowl and the
dispersion never dropped off. The biggest
surprise to me was the CD18 subwoofers. WOW! I
had always been a huge fan of the S2
subwoofer. We stacked the CD18s four high
under each GEO T array and delayed the 8 S2s
that were down center. The result was
'bone-crushing' bass. Several employees of
American Airlines Arena said that they've
never heard bass that intense from any event
that has taken place at the arena."
Randy Frierson, owner and MD of Concert
Systems USA, pulled NEXO inventory from both
his Gulfport warehouse in Mississippi and from
his new regional office in Tampa. "The show
was confirmed quite late in the day," explains
Frierson, "so we had to prep, transport and
organize personnel from our two locations in
less than 24 hours. We handled the entire
production, sub-renting some S2 subs and PS
cabinets from 6th Sensory Sound, and our crew
list included myself as one of the systems
engineers, alongside Harry Brill Jr, Dave
Drake and Joe Rodda. In addition to the arena
system, we provided a good-size Alpha system
for the main concourse."
Lead systems engineer for the Ultrafest event
was Harry Brill Jr, who kept taking Smaart
Live measurements to confirm what he was
hearing. "The SPL of the T rig was consistent
throughout the lower bowl, it was just
amazing. I also thought the GEO S rig was a
great complement to the T rig for the side
hangs. NEXO never fails to impress me."
Terry McNeil has been a beta tester for NEXO
products since the late 90s, and recently has
been trialing the company's new GEOSoft
software. "After I figured out how to do the
3-D modelling, I came up with some crazy ideas
on how I could design systems that
incorporated GEO T and GEO S. The GEOSoft Beta
let me plug in all the dimensions of the arena
bowl and floor and I was able to see where the
dispersion was as well as Max SPL. I was a
little concerned about how well 12 GEO T boxes
per side would throw, but they covered the
arena bowl and floor exactly the way the
GEOSoft program said they would."
He concludes that "NEXO is definitely headed
in the right direction with GEO technology.
Right now, there are several tours that have
featured GEO T and with the help of Thunder
Audio and Concert Systems in the USA, and SSE
Hire in the UK, youll start to see more and
more bands and tours using NEXO GEO
technology."
For more information, visit
http://www.nexo-sa.com/.